"For most of us, knowledge of our world comes largely through sight, yet we look about with such unseeing eyes that we are partially blind."
— Rachel Carson, The Sense of Wonder
UnEarthed is an invitation to rediscover our sense of wonder and our place in the living world. This body of work aims to move you past a quick look and toward meaningful connection. Just as we are active participants in nature, not spectators, I invite you to become part of this experience.
In nature, not all discoveries are found at eye level. This work challenges traditional sightlines, prompting viewers to lean in, to peer down, and to look closely. Peeking into a pond, you might see the tail of a crayfish. Looking up, you might notice a delicate cicada shell left behind on a branch. Rolling back a log, you might find the fleeting glint of a salamander. My art highlights these often-overlooked details—the small, seemingly inconsequential moments that get lost in the busyness of daily life.
This exhibit also reflects a personal shift in perspective. I began this series focused on the harm humans inflict on the Earth, but found myself reconnected with a profound truth: we are not separate from nature; we are a part of it. We share a reciprocity with all living things. Just as birds eat berries and disperse seeds, we can harvest from our gardens, making room for new growth. This interconnectedness allows both us and the world around us to flourish.
I rediscovered this connection through nearly forgotten childhood memories—wading knee-deep for crawdads and peeling back the bark of a dead tree to find a caterpillar. In the face of young adult stresses like job hunting and graduate school, these memories can feel frivolous. Yet I have found that it is these small moments of discovery—the sight of swallows swarming overhead or a woodpecker peeking from its well-worn hole—that recharge and inspire me. This work is an offering, a reminder that the enjoyment of nature is not reserved for scientists or experts, but for anyone willing not just to look, but to truly see the world around them.
Sedge of Sandhill Cranes
Unseen
Untouched
Unheard
Evergreen
Evergreen
Evergreen
Micro//Macro
Micro//Macro
Micro//Macro
Still Life of a Bouquet
Summer Swarm
I am deeply grateful for the generosity and support that made this summer of creation possible.
My thanks go to the Sisters of Saint Francis, for not only opening their incredible ceramic studio but also for welcoming me into their community. It was a true privilege to create in a space so rich with peace and creativity. I would also like to thank Lourdes University for providing a home for this body of work, giving this exhibit a place to be seen.
To Sister Magdala Davlin, you have been an extraordinary guide. As an incredible mentor, creative supporter, and dear friend, you were the foundation of my success this summer. Your guidance and encouragement were invaluable, and I would not have been able to complete this work without you.
I extend my heartfelt gratitude to Annette Fink, who has been one of my most unwavering supporters from the beginning. She not only connected me with this residency but has also been a constant source of inspiration and mentorship in the world of ceramics.
To my dearest friend and creative genius, Evelyn Varlan. Thank you for always being there to listen and help me untangle my thought process. Your unwavering support has meant the world to me, and I couldn't have done this without you.
A special thank you to the Morea Family—Lynne, Dan, and Olivia. Being so far from home, your kindness provided a much-needed sense of familiarity. Olivia, I will always cherish our years in college together and the friendship that has continued to bring out the very best in me.
And to my family, who first sparked my love for the natural world and introduced me to the magic of clay- thank you for your endless support, which has enabled me to follow my passions wherever they may lead.